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Women in punk rock
Since its inception, the punk rock genre has included women who have made significant contributions. The DIY cultural sensibility during the mid- and late 1970s encouraged the anarchistic approaches of punk rock concurrent with "spectacular" mainstream rock, thus enabling more women to enter the scene. "That was the beauty of the punk thing," Chrissie Hynde later said." () discrimination didn't exist in that scene."〔(【引用サイトリンク】url=http://www.biography.com/people/groups/women-of-punk-and-post-punk-music )〕 This participation played a role in the historical development of punk music, especially in the U.S. and U.K. at that time, and continues to influence and enable future generations.
The rock historian, Helen Reddington, writes that the image of young punk women musicians wearing fishnet stockings and spiky blond hair was stereotypical, and than many, if not most girl punks were more interested in the ideology and socio-political implications, rather than the fashion. The music historian, Caroline Coon contends that before punk, women in rock music were virtually invisible, and that "It would be possible to write the whole history of punk music without mentioning any male bands at all -- and I think a lot of them would find that very surprising." Johnny Rotten has written that ‘During the Pistols era, women were out there playing with the men, taking us on in equal terms ... It wasn’t combative, but compatible.’ Others take issue with the notion of equal recognition, such as guitarist Viv Albertine, "The A&R men, the bouncers, the sound mixers, no one took us seriously.. So, no, we got no respect anywhere we went. People just didn't want us around." The anti-establishment stance of punk opened the space for women who were treated like outsiders in a male-dominated industry. Sonic Youth's Kim Gordon states, "I think women are natural anarchists, because you're always operating in a male framework."
== Significant historical contributors ==
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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